Born 1975, Akron, Ohio
Lives and works in Long Island City, New York


EDUCATION

2001
Masters of Fine Arts, Hunter College, New York

1998
Bachelors of Fine Arts, University of Tampa, FL


ONE PERSON EXHIBITIONS

2010
Autumn Buffalo, D’Amelio Terras, New York, NY

2009
ROSE LAUGHTER Winter Holiday, Andrea Rosen Gallery, New York, NY; curated by David Altmejd

2008
1 7 7 9 / Pedestrians, Feature Inc., New York, NY
1 7 7 9 / Pedestrians, Greener Pastures Contemporary Art, Toronto, CANADA

2007
1 7 7 7, Kevin Bruk Gallery, Miami, FL (catalog)

2006
1 7 3 6, Shaheen Modern and Contemporary Art, Cleveland, OH

2005
Waltz Paintings, Kantor Feuer Gallery, Los Angeles, CA

2004
Feature Inc., New York, NY
M du B, F, H & g, Montreal, CANADA

2002
Feature Inc., New York, NY
M du B, F, H & g, Montreal, CANADA


GROUP EXHIBITIONS

2012
Hue & Cry, S2, New York, NY; organized by Vladimir Roitfeld and Sotheby's
Pothole, Salon 94 Bowery, New York, NY
The Old, the New, the Different, Kunsthalle Bern, Switzerland

2011
bodybraingame, Rhona Hoffman Gallery, Chicago, IL
Facing the Abyss, Witzenhausen Gallery, New York, NY

2010
Black is the color (of my true love’s hair), NP Contemporary Arts Center, New York, NY
La Tableau, Cheim and Read, New York, NY; curated by Joe Fyfe

2009
Why Painting Now, BFAS/Blondeau Fine Art Services, Geneva, SWITZERLAND
Cave Painting: Installment #1, Gresham’s Ghost (third location), New York, NY; organized by Bob Nickas
A Pink Panther, Kumukumu Gallery, New York, NY; curated by Amy Smith-Stewart with Hannah Dumes and Nicole O’Rourke
Splinter of the Mind’s Eye, Philip Slein Gallery, St. Louis, MO
Cave Painting, PSM Gallery, Berlin, GERMANY; curated by Bob Nickas
The Anniversary Show, Tracy Williams Limited, New York, NY
Populate This Form, Feature Inc., New York, NY

2008
Bob Nickas: Recent Acquisitions, Gifts, and Works from Various Exhibitions 1985-2007, White Columns, New York, NY
Ambivalent Figuration; People, Samson Projects, Boston, MA
Political Correct, 18 September-25 October

2007
Miami Basel, Miami (Kevin Bruk Gallery)
Handcrafter Optimism, Bodybuilders & Sportsman, Chicago, IL
Painting as Fact – Fact as Diction, de Pury & Luxembourg, Zurich, SWITZERLAND; curated by Robert Nickas
Warhol &…, Kantor/Feuer, Los Angeles, CA
Heralds of Creative Anachronism, D’Amelio Terras, New York, NY
Late Liberties, John Connelly Presents, New York, NY

2006
The Way of All Flesh, BravinLee Productions, New York, NY
Lippo Parades: When Desperate Times Call for Desperate Measures, Scarfone/Hartley Gallery, University of Tampa, Tampa, FL
USA Today: New American Art from the Saatchi Gallery, Royal Academy of Arts, London, UK (catalog)
The Aleph, Sandroni Rey, Los Angeles, CA
Exquisite Corpse – Cadavre Exquis: A Game Played Between Mitchell Algus and Bob Nikas, Mitchelle Algus Gallery, New York, NY
Dark, Museum Boijmans Van Beuningen, Rotterdam, THE NETHERLANDS; curated by Jan Grosfeld and Rein Wolfs (catalog)
Clarissa Dalrymple’s Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts, Bortolami Dayan, New York, NY; cruated by Clarissa Dalrymple

2005
University of Tampa Alumni & Adjunct Faculty Exhibition
Scarfone/Hartley Gallery, University of Tampa, Tampa, FL
With shuddering horror pale, and eyes aghast, Artspace, New Haven, CT (brochure)
Gabríela Fridriksdóttir, Daniel Hesidence, Will Ryman, Tracy Williams, Ltd.
New York ‘The sun rises in the evening.’, Feature Inc., New York, NY
Greater New York 2005, P.S.1 Contemporary Art Center, Long Island, City, NY (catalog)
Richard Aldrich, Olivia Booth, Brian Fahlstrom, Carrie Gundersdorf, Daniel Hesidence, Candace Nycz, Sterling Ruby, Marc Foxx, Los Angeles, CA
The Hills Have Eyes, Ingalls and Associates, Miami, FL; curated by Gean Moreno
Traces Everywhere, Tracy Williams, Ltd., New York, NY

2003
Flesh and Blood: The Mind Is A Terrible Thing To Taste, Michael Steinberg Fine Art, New York, NY; curated by Tracy Williams
Fright Wig, Feature Inc., New York, NY

2002
Landscape, Derek Eller Gallery, New York, NY
The Funeral Home, Marc Foxx, Los Angeles, CAS; curated by Dennis Cooper

2001
Another, once again, many times more, Feature Inc., New York, NY


BIBLIOGRAPHY

2011
Frederick, Jeff. “Exhibition Reviews: Daniel Hesidence.” Art in America no 2.,
February 2011: 99.

2010
Smith, Roberta. “Art in Review: Daniel Hesidence ‘Autumn Bufalo’.” The New York Times, 17 December 2010: C34.
Asfour, Nana. Review, “Daniel Hesidence: ‘Autumn Buffalo,’” Time Out New
York, November 19 – 25.
Heinrich, Will. “The Force of Color: New Shows By Daniel Hesidence, Ana Mendieta and Bernd and Hilla Becher,” New York Observer. November 15, pg 52-53.
Smith, Roberta. “Le Tableau: French Abstraction and Its Affinities,” The New York Times. July 2.

2009
Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting, Phaidon Press, New York
Marshall, Piper. “Cave Painting: A Conversation with Bob Nickas,” Art in America, 22 June 2009.

2008
“Goings On About Town,” New Yorker, 8 December 2008, pg. 20.
Maine, Stephen. Review, Artcritical.com, December 2008.
Wolin, Joseph R. Review, Time Out New York, 27 November – 3 December.
Abstract America: New Painting, exhibition catalog with an introduction by Maz Henry, Jonathan Cape. Random House,
London, in association with the Saatchi Gallery.

2007
Lowenstein, Kate. Review of “Late Liberties,” Time Out New York, 23-29 August.

2006
Bly, Liz. Review, artUS, October/November, pg 61.
Litt, Steven. Review, Cleveland Plain Dealer, 9 June.
Tranberg, Dan. Preview, Angle, no. 26 (May/June), pg 16.
Valerio, Mariel. Lippo Parades, The Minaret, 22 September.
Voeller, Megan. “Homecoming,” Tampa Weekly Planet, 6-12 September, pg 21.
“UT Gallery Highlights Emerging Tampa Artists, Tampa Tribune, 7 September.

2005
Greater New York 2005, exhibition catalog, P.S.1 Contemporary Art Center, Long Island City, New York, pg 188-189.
Birke, Judy. “Exhibit About Fear is Creepy, Daring, and Most Compelling,” New Haven Register. 27 November, D:1,3.
Carel, Sari. Review of group exhibition at Tracy Williams, Ltd., artforum.com, Critics’ Picks. 24 July.
Church, Amanda. Review of “Traces Everywhere,” Art on Paper, March/April, pg 74.
Eleey, Peter. “Greater New York,” Frieze. May, pg 114-115 (reproduction).
Genocchio, Benjamin. “Everything To Fear, Especially Fear Itself,” New York Times. 20 November.
Manning, Sean. Review of “Traces Everywhere,” New York Press. 2-8 February, pg. 52.
Ribas, Joao. Review of “Traces Everywhere,” ArtReview. April.
Smith, Roberta. Review of group exhibition at Tracy Williams, Ltd., New York Times, 5 August E28.
“Artists in New York,” Contemporary Art 2005, pg 38-43 (reproductions).
“New York Special,” Harpers Bazaar Japan. October, pg. 136 (reproduction).
Goings On About Town, New York. 8-15 August, pg 22.

2004
Cotter, Holland. Review, New York Times. 24 September, E33.
Manning, Sean. Review, New York Press, 6-12 October, pg 56 (reproduction.)

2002
Mahoney, Robert. Review, Time Out New York. 11-18 April, pg. 71.

2001
Cotter, Holland. “Another, Once Again, Many Times More,” New York Times, Listings. 11 May, E38.